Working both in a shop environment and onsite, I completed work in the queue line and the attraction itself. I would meet with the Art Director, members of Universal Creative, and Nintendo to get critiques and notes on my work, ensuring everything is up to the high quality standards of the attraction.

In the shop, I worked in all steps of fabrication: prepping framework; sanding and applying various materials to achieve smooth, fiberglass-like finishes; applying various materials to add texture; and painting final scenic finishes. While working onsite, I completed final scenic treatments in queue rooms and the attraction.